Geoffrey Smith: Igniting Passion with the 'World on Fire' Collection

Using a palette knife and bold, expressive strokes, Smith renders creatures like moose, polar bears, ravens, and brown bears with emotional intensity. Some of the works in the series are almost dreamlike: animals suspended in flame-colored fields, their forms emerging from abstract heat and color. Others are grounded in traditional realism: brown bears fishing for salmon, salmon threading their way upstream, and bull moose standing alert in the quiet boreal light. These moments speak not just to climate change, but to the deep, enduring beauty that still exists in our natural world.

It’s this tension between reverence and urgency, realism and abstraction that gives World on Fire its power. While the title conjures an image of devastation, the show itself is far more layered. It is not a parade of catastrophe, but an act of bearing witness. The wild is still alive. The animals still move with grace and dignity. And the land, though changing, continues to inspire.

Smith, known for his large-scale bronze monuments and nationally recognized wildlife sculptures, approaches painting with the same sense of scale, presence, and emotional resonance. His background as a sculptor brings weight and structure to the compositions, while his painter’s hand channels immediacy and energy. These paintings are not imagined; instead, built from time spent tracking animals in the field, observing migrations, watching ice melt, and listening to silence.

World on Fire speaks to institutions that recognize the transformative power of art to explore environmental change, cultural identity, and our relationship with place. It is a show that invites thoughtful dialogue between science and emotion, tradition and innovation, beauty and urgency. Rooted in firsthand observation and artistic mastery, the exhibition offers not only a striking visual experience but also a meaningful